Tyler the creator vinyl1/8/2024 Producer – Tyler, The CreatorVocals – Shane PowersWritten-By – T. Where This Flower Blooms Featuring – Frank OceanProducer – Tyler, The CreatorWritten-By – F. The album received a Grammy Award nomination for Best Rap Album at the 60th Annual Grammy Awards.įoreword Featuring – Rex Orange CountyGuitar – Austin FeinsteinProducer – Tyler, The CreatorWritten-By – D. Flower Boy received widespread acclaim from critics and debuted at number two on the US Billboard 200, selling 70,000 copies in its first week in the United States. The album was supported by four singles: "Who Dat Boy" / "911", "Boredom", "I Ain't Got Time!" and "See You Again". Although the album's production was handled entirely by Tyler, the Creator himself, it features guest vocals from a range of artists, including Frank Ocean, ASAP Rocky, Anna of the North, Lil Wayne, Kali Uchis, Steve Lacy, Estelle, Jaden Smith and Rex Orange County. The album, which is his second under a major record label, was released on July 21, 2017, by Columbia Records. Flower Boy (alternatively titled Scum Fuck Flower Boy) is the fourth studio album by American rapper Tyler, the Creator. To be honest, you can slam somebody's face into the concrete to this, smooch em, slap em, take em out to a steak dinner in your McLaren, leave them in the woods, and call them an uber black home all at the same time to this fraternal twin-ed pair of grooved out discs. Flower Boy AKA Scumfuck Flower Boy meshes the raw angst and unbound frustration of our Goblin baby's first trio of tapes while exploring more in-depth into a sound continuously evolving from Cherry Bomb's dip into thoughtfulness. What this here mix of grooves really comes together as is an artist growing, or, blossoming in this case. Clearly learning from the faults of Cherry Bomb while taking the hidden gems in and around its creation, Tyler has seriously grown the f*ck up a little bit, and it really feels like there's a battle within himself in this slab of wax that may take a positive turn one moment, but reach back down into a void of uncertainty and bottled up emotion that comes with growing up into something larger than life the next. After taking a self-concious, funked up dive into a haze of Stevie Wonder-inspired hooks and nooks filled with oodles of stringed-out self-recovery on 2015's Cherry Bomb after his self-fulfilling, angry teenage/post-teenage prophecy trio (Bastard, Goblin, and Wolf), babyman Tylerman has emerged with a fully realized vision not only of his own self reflection, but the world around him that continues to blossom in good and bad as his career develops. “Don’t Think Jesus,” his first new song since his racial-slur scandal early last year, racked up 557,000 radio impressions in its first week.The time of the tube socks is upon us, my fellow delinquents of the suburbs. 1 on the Hot Country Songs chart as well - is no surprise, given that his last single off the “Dangerous” just topped the country airplay chart. The popularity of Wallen’s new song among country fans - it debuts at No. Per Billboard, it was the third-biggest streaming song of the week, with 18.1 million. 1 on the Digital Song Sales chart with 21,500 copies sold. Released April 15, the new track was the top-selling song of the week, bowing at No. It’s his third top 10 song in the Hot 100. Morgan Wallen’s “Don’t Think Jesus” had the highest chart debut of the week, at No. On the Billboard Hot 100, Harry Styles’ “As It Was” returned to the top spot, after being bumped last week by Jack Harlow’s “First Class.” Having a second week at No. 2 with 50,500 album-equivalent units, followed by Lil Durk, the “Encanto” soundtrack, Olivia Rodrigo, Drake, Doja Cat, the Weeknd, Gunna and Lil Baby. Morgan Wallen’s “Dangerous: The Double Album” is at No. Otherwise, there wasn’t much turnover of note in the upper ranks of the Billboard 200. It’s not as if fans gave up streaming the album and unilaterally rushed to their turntables, though: The album picked up 11.5 million on-demand streams during the week as well. Of that total, 51,000 were in traditional album sales, with all but 1500 of that sales number being vinyl. The overall album-equivalent number for “Call Me If You Get Lost” this week was 59,000 units.
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